timbres

英 [ˈtæmbəz]

美 [ˈtɪmbərz]

n.  音质; 音色; 音品
timbre的复数

医学

柯林斯词典

• N-COUNT 音色;音质;音品
  Thetimbreof someone's voice or of a musical instrument is the particular quality of sound that it has.
  1. His voice had a deep timbre...
     他嗓音低沉。
  2. The timbre of the violin is far richer than that of the mouth organ.
     小提琴的音色远比口琴丰富。

双语例句

• It is the combination and intertexture of the multi timbres that make up of pointillism timber effect in either verticality or horizontality.
  正是这种多音色的组合和交织构成了它们在纵、横向上的点状音色效果。
• In additive synthesis, pure tones are added together to create more complex composite timbres.
  在加法合成中，将纯音相加可生成更为复杂的合成音色。
• The paper was the writer's cognition to the melody of guqin music with its beats, intervals, timbres, material progress and structures.
  关于古琴曲旋律的节拍、音程、音色、材料发展与结构的几点认识。
• Milady was as gracious as ever. Different timbres and different strings play one and the same soft and sweet serenade.
  米拉蒂同以往一样温和。不同声色，不同琴弦，同拨着一支温馨的小夜曲。
• One of the important characteristics in the music of the 20th century was the continuous exploration about all kinds of new timbres, including the special playing method of the conventional instruments and the use of various noisy instruments.
  20世纪音乐的一个重要特征就是对各种新音色的不断探索，包括对常规乐器的特殊演奏法以及利用各种噪音乐器。
• With its unique visual culture dissemination way to draw on the people of the eye, whether timbres feeling or visual stimulus in the field of traditional culture is unable to achieve the border.
  视觉文化以其独特的传播方式吸引着人们的眼球，无论是声色感受还是直观刺激都是传统文化领域中无法达到的境界。
• The playing Key of Bach's style is to play out different timbres with mild ways of playing the clavier in a slower speed.
  采用较慢的速度、温和的触键方式以及在不同声部弹出不同音色的演奏方法是掌握巴赫作品风格的关键。
• The teacher may help the students to search for the proper, ideal timbres in accordance with the connotation of the works by means of corresponding performance methods.
  在教学中，通过相应的弹奏方法，找到适当的、美的符合作品要求的声音。
• Students are to know the necessity to grasp weight performance technique, and develop an easy and natural performance by balancing the tension and the relaxation in order to achieve the ideal timbres.
  要理解重量弹奏法的重要性以及掌握这种方法，同时处理好紧张与放松的关系，把二者统一起来，形成一种舒适自然的状态，获得理想的音色。
• The double bass and the oboe have different timbres.
  双簧管与低音提琴的音色不同。